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THE CENTRE FOR ART MARKET STUDIES IS DEVOTED TO RESEARCHING THE ART MARKET FROM ITS BEGINNINGS TO THE PRESENT DAY

View into the central warehouse of the Kunst und Antiquitäten GmbH during its liquidation in 1990 @ Bundesarchiv

EVENING LECTURE

Dr. Uwe Hartmann, Magdeburg,  talks about:
Das Geschäft mit der Kunst in der DDR: Privates Sammeln, verstaatlichter Handel und die Enteignung von Kulturgütern

Date: 29/04/2019, 6:15 p.m.
Venue: Room A 111, Architecture Building of the TU, Straße des 17. Juni 150/152, 10623

Programm.pdf Directions to Room A 111

Weltkunst, Vol. VIII, Nr. 25, June 24th, 1934, 1/ Gazette de L’Hôtel Drouot, Vol. 49, Nr. 34,  Octobre 3rd, 1940, 1.


GERMAN-FRENCH RESEARCH PROGRAMME 2018-2019
ART MARKET AND ART COLLECTING FROM 1900 TO THE PRESENT IN GERMANY AND FRANCE

Paris, France, 11-13 March 2019
Berlin, Germany, 8-10 November 2018

The German-French Research Programme 2018–2019 “Art Market and Art Collecting from 1900 to the Present in Germany and France” is organised by the Forum Kunst und Markt / Centre for Art Market Studies at TU Berlin and the Centre Georg Simmel at the École des Hautes Études en Sciences Sociales in collaboration with the Deutsches Forum für Kunstgeschichte Paris. The German-French Research Programme 2018–2019 is funded by the UFA/DFH.

@ ArtHIst

REVIEW OF THE CONFERENCE “GERMANY AND FRANCE: ART MARKET AND ART COLLECTING 1900-1945”

Review by Vanessa von Kolpinski: Germany and France: Art Market and Art Collecting 1900-1945 (TU Berlin, 09. – 10.11.2018), in: ArtHist.net, 06.02.2019

You will find the review here.

@ H/Soz/Kult

REVIEW OF THE CONFERENCE “GERMANY AND FRANCE: ART MARKET AND ART COLLECTING 1900-1945”

Review by Elena Maria Rita Rizzi: Germany and France: Art Market and Art Collecting 1900-1945, 09.11.2018 – 10.11.2018 Berlin, in: H-Soz-Kult, 25.01.2019

You will find the review here.

© DeGryuter


NEW PUBLICATION:

ACQUIRING CULTURES: HISTORIES OF WORLD ART ON WESTERN MARKETS

Edited by Bénédicte Savoy, Charlotte Guichard, Christine Howald  

Berlin/Boston: De Gruyter 2018

Based on a symposium in Berlin,  organized by the Institute for Art History in cooperation with the Centre for Art Market Studies at Technical University Berlin, the Institut d’histoire moderne et contemporaine (CNRS) and the Labex TransferS (PSL) in Paris, the publication includes contributions by Felicity Bodenstein, Ting Chang, Manuel Charpy, Nélia Dias, Natasha Eaton, Noëmie Etienne, Jonathan Fine, Christine Howald, Philip Jones, Sylvester Okwunodu Ogbechie, Ying-chen Peng, Léa Saint-Raymond, Elodie Vaudry, and Masako Yamamoto.

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