Start und Blog

Web_schraeg3_1

THE CENTRE FOR ART MARKET STUDIES IS DEVOTED TO RESEARCHING THE ART MARKET FROM ITS BEGINNINGS TO THE PRESENT DAY

Weltkunst, Vol. VIII, Nr. 25, June 24th, 1934, 1/ Gazette de L’Hôtel Drouot, Vol. 49, Nr. 34,  Octobre 3rd, 1940, 1.


GERMAN-FRENCH RESEARCH PROGRAMME 2018-2019
ART MARKET AND ART COLLECTING FROM 1900 TO THE PRESENT IN GERMANY AND FRANCE

Paris, France, 11-13 March 2019
Berlin, Germany, 8-10 November 2018

The German-French Research Programme 2018–2019 “Art Market and Art Collecting from 1900 to the Present in Germany and France” is organised by the Forum Kunst und Markt / Centre for Art Market Studies at TU Berlin and the Centre Georg Simmel at the École des Hautes Études en Sciences Sociales in collaboration with the Deutsches Forum für Kunstgeschichte Paris. The German-French Research Programme 2018–2019 is funded by the UFA/DFH.

Reviews:
Elena Maria Rita Rizzi, Florence, in: H/Soz/Kult, 25/01/19
Vanessa von Kolpinski, Berlin, in: ArtHist.net, 6/02/2019

Shop of a Karamonoya (art dealer) in Osaka. Double page from volume 4 of the block printing book “Illustrated guide to the sights in the province of Settsu (Settsu meisho zue)”. Text: Akisato Rito, illustrations: Takehara Shunchōsai. First published by Morimoto Tasuke, Naniwa 1796-98, Block printed book 2nd h. 19th c.


EVENING LECTURE

Dr. Alexander Hofmann, Berlin:
Bausteine zu einer Geschichte des japanischen Kunstmarkts, ca. 1500 – 1900

Date: 01/07/2019, 6:15 p.m.
Venue: Room A 111, Architecture Building of the TU, Straße des 17. Juni 150/152, 10623

After the lecture we cordially invite you to an informal reception.

Programm.pdf Directions to Room A 111

@ Wikimedia Commons


JOURNAL FOR ART MARKET STUDIES:
LATEST ISSUE 

Politics
Volume 3, Number 1, 2019

Guest Editor: Kathryn Brown

The latest issue of The Journal for Art Market Studies explores intersections between politics and art markets from the first half of twentieth century to the present. Discussions range from specific policies in different political systems with diverse forms of government that have impacted, or impact, on the marketing and acquisition of art objects to broader political decisions that shape, or have shaped, background social beliefs about the value of art and its institutions.

www.fokum-jams.org

© DeGryuter


NEW PUBLICATION:

ACQUIRING CULTURES: HISTORIES OF WORLD ART ON WESTERN MARKETS

Edited by Bénédicte Savoy, Charlotte Guichard, Christine Howald  

Berlin/Boston: De Gruyter 2018

Based on a symposium in Berlin,  organized by the Institute for Art History in cooperation with the Centre for Art Market Studies at Technical University Berlin, the Institut d’histoire moderne et contemporaine (CNRS) and the Labex TransferS (PSL) in Paris, the publication includes contributions by Felicity Bodenstein, Ting Chang, Manuel Charpy, Nélia Dias, Natasha Eaton, Noëmie Etienne, Jonathan Fine, Christine Howald, Philip Jones, Sylvester Okwunodu Ogbechie, Ying-chen Peng, Léa Saint-Raymond, Elodie Vaudry, and Masako Yamamoto.

Contents

2018 / CC BY-SA 3.0


PANEL DISCUSSION 

State/Public/Private Museums: Challenges and Dynamics in a Global Art World

The panel discussion of the symposium “The Global Power of Private Museums: Arts and Publics – States and Markets” is available online. You will find the videos to the panel discussion (Part I, II) here.