Category Archives: Allgemein

Symposium 2019

Image: Wolfgang Beltracchi, Nature morte (detail), formerly attributed to Fernand Léger © Landeskriminalamt Berlin, photographer: Markus Hilbich, design: Amichai Green

SYMPOSIUM

“OBJECTS ON THE ART MARKET:
ORIGINAL ODER FÄLSCHUNG – EINE FRAGE DER EXPERTISE?”

Date: 15/11/2019, 6 p.m. – 8 p.m.; 16/11/2019, 10 a.m. – 5:30 p.m.
Venue: Technische Universität Berlin, Hybrid Lab in the Villa Bell, Marchstraße 8, 10578 Berlin

The symposium is a cooperation of the Forum Kunst und Markt / Centre for Art Market Studies at TU Berlin with PD Dr. Waltraud M. Bayer (FWF-project “Private Kunstmuseen und Stiftungen russischer Oligarchen“ (P31388), Vienna).

Downloads:
Flyer Objects on the Art Market
Poster Objects on the Art Market
Booklet Objects on the Art Market
Podcast in the “Hörsaal” of Deutschlandfunk Nova Objects on the Art Market

Sommernachtssalon

Max Slevogt: Die Auktion der Sammlung Huldschinsky in Berlin, 1928, Niedersächsisches Landesmuseum, Hannover, Quelle: Wikimedia Commons/CC-PD.


*** CANCELLATION OF THE LONG NIGHT OF THE SCIENCES 2020 ***  

During the “Sommernachtssalon: 100 Jahre Groß-Berlin” at the Long Night of the Sciences of the TU Berlin Prof. Dr. Meike Hopp (Berlin) and Dr. Dorothee Wimmer (Berlin) will talk about:

Goldene Zwanziger Jahre? Berliner Society zwischen Luxussteuer und Kunstrausch

Date: 06/06/2020, 8:30 p.m. – 9:00 p.m. *** cancelled ***
Venue: Foyer der Universitätsbibliothek der TU Berlin, VOLKSWAGEN-Haus, Fasanenstraße 88, 10623 Berlin

Xenia Schiemann, M. A.

“Das Kunst-Stück der DDR. Wie ein staatseigener Betrieb Bilder und Antiquitäten zu Devisen macht”, art, No. 2, 1984, p. 72.


EVENING LECTURE

Xenia Schiemann, M.A., Berlin:
Eiserner Vorhang zwischen Ost und West?
Kunsthandel zwischen der Kunst und Antiquitäten GmbH der DDR und dem Londoner Auktionshaus Christie’s

Date: 10/02/2020, 6:15 p.m.
Venue: Room A 111, Architecture Building of the TU, Straße des 17. Juni 150/152, 10623

Programm.pdf Directions to Room A 111

JAMS 8

© Wikipedia


JOURNAL FOR ART MARKET STUDIES:
LATEST ISSUE 

The Global Art Market under the Spanish Empire 1500-1800
Volume 3, Number 2, 2019

Guest Editor: Pilar Diez del Corral

The issue “The Global Art Market under the Spanish Empire 1500-1800”, guest-edited by Pilar Diez del Corral, explores aspect of the artistic market under the auspices of the Spanish Empire in a vast geographic context, with intricate commercial and human networks. The global economy of this period transplanted Castilian society overseas, including art markets, with two-way trade routes.

www.fokum-jams.org

Conference: Germany and France: Art Market and Art Collecting 1900-1945

Weltkunst, Vol. VIII, Nr. 25, June 24th, 1934, 1/ Gazette de L’Hôtel Drouot, Vol. 49, Nr. 34,  Octobre 3rd, 1940, 1.


GERMAN-FRENCH RESEARCH PROGRAMME 2018-2019
ART MARKET AND ART COLLECTING FROM 1900 TO THE PRESENT IN GERMANY AND FRANCE

Paris, France, 11-13 March 2019
Berlin, Germany, 8-10 November 2018

The German-French Research Programme 2018–2019 “Art Market and Art Collecting from 1900 to the Present in Germany and France” is organised by the Forum Kunst und Markt / Centre for Art Market Studies at TU Berlin and the Centre Georg Simmel at the École des Hautes Études en Sciences Sociales in collaboration with the Deutsches Forum für Kunstgeschichte Paris. The German-French Research Programme 2018–2019 is funded by the UFA/DFH.

Reviews:
Elena Maria Rita Rizzi, Florence, in: H/Soz/Kult, 25/01/19
Vanessa von Kolpinski, Berlin, in: ArtHist.net, 6/02/2019

JAMS 7

@ Wikimedia Commons


JOURNAL FOR ART MARKET STUDIES:
LATEST ISSUE 

Politics
Volume 3, Number 1, 2019

Guest Editor: Kathryn Brown

The latest issue of The Journal for Art Market Studies explores intersections between politics and art markets from the first half of twentieth century to the present. Discussions range from specific policies in different political systems with diverse forms of government that have impacted, or impact, on the marketing and acquisition of art objects to broader political decisions that shape, or have shaped, background social beliefs about the value of art and its institutions.

www.fokum-jams.org

Aquiring Cultures

© DeGryuter


NEW PUBLICATION:

ACQUIRING CULTURES: HISTORIES OF WORLD ART ON WESTERN MARKETS

Edited by Bénédicte Savoy, Charlotte Guichard, Christine Howald  

Berlin/Boston: De Gruyter 2018

Based on a symposium in Berlin,  organized by the Institute for Art History in cooperation with the Centre for Art Market Studies at Technical University Berlin, the Institut d’histoire moderne et contemporaine (CNRS) and the Labex TransferS (PSL) in Paris, the publication includes contributions by Felicity Bodenstein, Ting Chang, Manuel Charpy, Nélia Dias, Natasha Eaton, Noëmie Etienne, Jonathan Fine, Christine Howald, Philip Jones, Sylvester Okwunodu Ogbechie, Ying-chen Peng, Léa Saint-Raymond, Elodie Vaudry, and Masako Yamamoto.

Contents

Abendvortrag Prof. Dr. Timothy Brook

Zhang Zeduan (1085-1145), Along the River at Qingming, National Palace Museum, Taipei @ Wikipedia Commons


EVENING LECTURE

Prof. Dr. Timothy Brook, Vancouver, talks about:
Paintings and Prices: the Art Market in Late Ming China

Date: 09/12/2019, 6:15 p.m.
Venue: Museum für Asiatische Kunst, Museen Dahlem, Staatliche Museen zu Berlin, Lecture Hall, Takustraße 40, 14195 Berlin

Evening Lecture of the Forum Kunst und Markt / Centre for Art Market Studies at Technische Universität Berlin in cooperation with the Deutsche Gesellschaft für Ostasiatische Kunst e.V.